Cape Flattery Symphonic Poem - Symphony Orchestra (Score and Parts - pdf only)

Cape Flattery ORCHESTRA cover only jpg.jpg
Cape Flattery ORCHESTRA cover only jpg.jpg

Cape Flattery Symphonic Poem - Symphony Orchestra (Score and Parts - pdf only)

$200.00

3232 | 4331 | timp+3 | harp | strings

6’30”

Program Notes

Cape Flattery is a dramatic and beautiful place. It is the point of land at the northwesternmost corner of the continental United States; to the Macah Tribe that inhabits the region, it is known as “the end of the world.” The Macah have inhabited this place for about 3800 years and have lived sustainably with nature that entire time.  Recently, in June 2024, they were granted the rights to return to a limited subsistence-level whale hunt – one of only two places in the US where this is legal (the other is in northwestern Alaska). Environmental activists have protested this allowance, but I think that this might be an example of how we can live in harmony with nature: knowing how to live sustainably and in harmony with the land we are part of. At Cape Flattery, there is a lighthouse that warns ships of the dangers there where the Pacific Ocean and the Strait of Juan de Fuca meet – tempestuous winds, rocky outcroppings, heavy fog and choppy waters. On a sunny day, the water sparkles, the spray from the waves glitters, the blue of the ocean is startling against the green of the forest, and seals and whales inhabit the waters. On stormy days, the waves crash against the rocky shores, the wind whips through the trees, and the view can be hidden in a heavy mist. These images are the inspiration for this piece, my attempt to express my love of one of my favorite places.

Cape Flattery Symphonic Poem begins with a burst of drama, presented by the brass, with bold energy. Shortly, the energy withdraws and becomes melodic, contemplative, the woodwinds and strings singing and welcoming the visitor. The emotion builds again, like a vigorous inhale, and then exhales again. As the winds whip up, a storm approaches, signaling danger, becoming quite dark, and then it passes as quickly as it came.  Then we experience the waves, as they ebb and flow, splashing into the air, and then pulling back out into the sea again.  Instrumental solos weave in and out of the texture created by the harp and vibraphone. The waves grow in intensity, becoming fuller, and adding instruments until the entire orchestra is participating. Next, we experience the playful, bouncy little creatures of the woods and sea: birds flitting, fish jumping, otters diving. Finally, all of these elements come together in a final moment of joy and exuberance.

 

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